While darkness has leached into so many movies and TV shows, HBO’s Station Eleven is rich with color. Station Eleven’s creative team explains their colorful apocalypse For most of the history of film, color correction was achieved physically, via chemicals applied to film negatives in a lab. And if things don’t match, we’ll notice almost immediately on a subconscious level. ![]() The light might not match, or the leaves on the trees might not be the same shade of green. (“Color timing” is more colloquially known as “color correction,” but people who actually work in the field don’t view it as “correction.”) When you’re filming something over multiple weeks or months, you might be piecing together a scene or sequence from bits and pieces shot over multiple days. Promise.įrom the dawn of color film, color timing has been an important part of moviemaking. Okay, things are about to get technical, but we’ll have some fun along the way. 1: The rise of digital color grading made it really easy to come up with all-purpose looks There’s no one answer to that question, but here are my five best guesses as to what I think might be behind the endless desaturation of Hollywood. It’s a tool that can be used poorly or used well. Desaturation is not in and of itself bad. The word that describes the look of that second picture is “desaturated.” Colors have been pulled way back, giving everything a slightly washed-out appearance, like in an old photograph. His shirt is an indefinable blue/green/black/brown. Hall’s skin, the various blues of his shirt. ![]() Notice how in the first image, you can see the pinks of Michael C. For an explicit example of how the Intangible Sludge has become standardized, look no further than a season 1 dexter screencap & a dexter: new blood screencap (pls do not me with "but he's not in miami anymore") /3ubAZCI32Z- Katie Stebbins November 18, 2021
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